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Youth in Ribbons
by Revenant Marquis
supported by 11 fans who also own “Live Lahti 2014”
Revenant Marquis continues with the subterranean vocals on this album. Percussion sound on all tracks has a very large sound, especially the bass drum. Guitar is generally very clean. The more I listen, the more I get Xasthur vibes, but with a more rock and roll influence. Still very depressive and chaotic. A cool album!
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The Burning Spears Of Crimson Agony (Demo)
by Lamp Of Murmuur
supported by 10 fans who also own “Live Lahti 2014”
Some of the best raw black metal I’ve heard in a while. So many infectious riffs it’s absurd. Easily my favorite release from lamp of Murmuur.
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supported by 10 fans who also own “Live Lahti 2014”
While previous albums were recorded in a haunted dungeon in a land where sunlight is a myth, this album sounds a bit brighter and more inviting. Take that as you will.
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"Axebreaker" is a self-proclaimed anti-fascist power electronics project that rejects the ideological grey zone that haunts much of the noise landscape.
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Adaptive Emotional Use
by Death Kneel
The Total Black label have done it again, with this grim and punishing noise outing from Death Kneel.
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The brilliant Oil Thief returns with seven new songs of rhythmic, punishing, quasi-industrial electronics.
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X POST INDUSTRIALE RITUALS 2015
by MZ. 412
supported by 10 fans who also own “Live Lahti 2014”
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